Captain Ahab was not a Muslim. In Herman Melville’s 1851 masterpiece Moby-Dick, Ahab is explicitly identified as an American Quaker from Nantucket, though he has long abandoned the pacifist tenets of his faith in favor of a blasphemous, monomaniacal obsession. [1, 2]
The Author's Intention
- The Biblical Allusion: Melville purposefully named Ahab after the wicked Old Testament King Ahab, who turned away from God to worship the pagan god Baal. Captain Ahab similarly abandons Christian theology, going so far as to baptize his final harpoon "not in the name of the Father, but in the name of the Devil." [1, 6, 7]
- Orientalist Imagery: Melville operated within a 19th-century Western "Orientalist" framework. He populated Ahab’s secret whaleboat crew with exoticized, non-Christian figures—most notably Fedallah, a Zoroastrian fire-worshipper who acts as Ahab's occult prophet. Melville used elements of Islam, Near Eastern mythology, and paganism interchangeably to construct a sense of the "exotic other" and to highlight Ahab's descent into heresy. [1, 4, 5]
Readers' and Critics' Responses
- The Sufi Allegory (Modern Comparative Reading): Some modern literary essayists, notably in comparative studies like those published in the International Journal of English Language, Literature and Humanities (IJELLH), have drawn structural parallels between Ahab and the famous 10th-century Persian Sufi mystic Mansur al-Hallaj. Critics note that both figures practiced a radical "annihilation of the self" (fana) to pursue an ultimate, hidden divine truth behind the physical world. Where al-Hallaj sought oneness with God, Ahab seeks to "strike through the pasteboard mask" of the whale to confront the ultimate cosmic governor. Both journeys end in a tragic, watery destruction. [3, 6]
- Critiques of Melville's "Mahometan" References: On the other hand, Islamic studies scholars (such as those writing for the American Journal of Islam and Society) have pointed out that Melville’s references to Islam—which he called "Mahometanism"—are deeply distorted and relies on biased 19th-century European secondary sources. These readers argue that Melville intentionally blurred the lines between Islam, paganism, and evil to instill a general sense of existential dread and religious skepticism in his audience. [4]
- GoogleAI
Steiner developed an elaborate but sometimes contradictory three - fold cosmology.
Basically
Lucifer - astral body - thinking
Christ - etheric body - feeling
Ahriman - physical body - willing
However sceptical- rationalist materialism, associated with Ahriman, actually corresponds to thinking, since it's associated with science and the age of reason.
Nevertheless Steiner's trilogy exerted a big influence on me.
My current version has
Noetic - thinking (mental body)
Pathic - feeling - this is Steiner's etheric/Christ
Thumotic - willing, in the sense of intending to do something, but also charisma and courage
Epithumia - appetites, consumerism, lifestyle materialism, the lower self that has to be transmuted
As shown by my egregore diagram I prefer a somewhat different cosmology to Steiner. My position is somewhat closer to Jung, although Steiner's spiritual hierarchies, involved in human history and the evolution of the kingdoms of nature, may represent what one might call physical gods, below the dualistic transcendent planes of existence, since the Zoroastrian Gnostic Theorist Evangelical Christian cosmology with its duality of light and dark is quite distinct from Steiner's mostly linear system of hierarchies.
https://x.com/akazlev/status/2117914019264946551?a=mBdGk64MSeq08blcEG8&s=19
Rod Hemsell had royally demolished Ken Wilber in 2002 https://www.integralworld.net/hemsell.html
Grilling The Life Divine by Sri Aurobindo Frank Visser said, "But its elegance is not evidence." https://www.integralworld.net/visser1351.html
He repeats the same for Jung now, "how much of the system is supported by evidence"? https://www.integralworld.net/visser1700.html
https://bsky.app/profile/savitriera.bsky.social/post/3mzewm7ztkk2d
The Literary Genius of Isha Upanishad: Third Pada Eighth Shloka
Four adjectives are used for Isha.
1) Kavi: The Seer, krantadrishta
2) Manishi: Man + Isha or Lord of the Mind
3) Paribhu: Transcendent pari + bhu
4) Svayambhu: One who creates oneself
These are extremely powerful and dynamic visheshanas. Isha is not inactive but writes the poem of the Universe, is the Master of the Mind and is yet beyond all this and able to create its own existence, the ultimate creative power. Isha cannot be injured as we have seen and has complete mastery over itself
Isha is now fully established in the eighth Shloka as the Lord. This is how the Isha Upanishad sees God. Quite different from the limited view of the Divine we see in some later paths. Not an angry God who sits in judgment. Nor one who is limited by a strange imposition of duality
Eventually, the definition of Isha depends on the Seer who sees it. And the vision and consciousness that beholds
https://x.com/AmazingVedas/status/2117952170658041974?a=eTKItj6PWRLfJy8sepo&s=19
"Any court in India is entitled to rely on constitutional or statutory text to justify its conclusion in a case. But often, the judges rely on Puranas and other religious texts, creating a sort of judicial populism that tends to support religious majoritarianism." @KaleeswaramR
https://x.com/SushantSin/status/2117837196132790658?a=ecIV67cT6Y9UHMGomVw&s=19
निंदा स्तुति भक्ति परंपरा का वह दिव्य और गूढ़ स्तंभ है, जहाँ भक्त और भगवान का संबंध लोक-मर्यादाओं से परे चला जाता है। इस विधा में ईश्वर की जो बाह्य आलोचना या भर्त्सना दिखाई देती है, वह अनादर नहीं, बल्कि अगाध प्रेम, आत्मीयता और अनन्य भक्ति की पराकाष्ठा है। जब एक भक्त भगवान को अपना सर्वस्व मान लेता है, तब वह उनसे रूठने, उलाहना देने और उन पर अधिकार जताने का साहस पाता है। यही संकोचहीन समर्पण निंदा स्तुति का मूल तत्व है।
बागेश्वर धाम (@bageshwardham) के श्री धीरेंद्र कृष्ण शास्त्री जी (उर्फ धीरेंद्र कृष्ण गर्ग जी) द्वारा श्री राम और श्री कृष्ण पर दिए गए प्रवचनों के प्रसंग इसी दिव्य भावभूमि से उपजे हैं, जो पूर्णतः निंदा स्तुति की श्रेणी में आते हैं।
परंतु आज का त्रासदीपूर्ण सत्य यह है कि आधुनिक हिंदू समाज अपनी जड़ों से कटकर वैचारिक रूप से इस कदर विमुख हो चुका है कि वह अपनी सनातन धर्म (हिंदुत्व) धरोहर की सूक्ष्मताओं को समझने में असमर्थ है।
ऐसे में, श्री धीरेंद्र कृष्ण शास्त्री जी को क्षमा याचना करने के बजाय इस प्रसंग को एक आध्यात्मिक अवसर में बदलना चाहिए था। उन्हें जनमानस को 'निंदा स्तुति' के गहरे शास्त्र और मर्म से अवगत कराना चाहिए था, ताकि आधुनिक पीढ़ी अपने धर्म की इस महान व सहिष्णु परंपरा पर गर्व करना सीख पाती।
https://x.com/MNageswarRaoIPS/status/2117901634747711806?a=S0J8SEXMjId03u32PV8&s=19
On what topics did the invited scholars speak? Life of MD without Anjaneyulu, the man who introduced MD to Akademi, Nirodbaran who introduced Sri Aurobindo, Chittaranjan Das, the polymath who showed the way to MD - don't know whether these were talked about. Invite is silent
https://x.com/flawsaphor/status/2118016072846815512?a=AbHG9XX4pYX8Btu-pWo&s=19
Leo Tolstoy: Life, Philosophy and the Search for Truth
by Pon Chandran countercurrents.org/2026/11/leo-to…
Leo Tolstoy's journey from Russian aristocrat to radical Christian anarchist was marked by a lifelong search for truth, justice and the meaning of human existence. In this article, Pon Chandran examines Tolstoy's philosophical foundations, his engagement with Rousseau, Schopenhauer and Henry George, and the ethical significance of the Sermon on the Mount. The article also explores the philosophical dimensions of "War and Peace" and "Anna Karenina", his advocacy of nonviolence, simple living and economic equality, and his enduring influence on Mahatma Gandhi, Martin Luther King Jr. and other thinkers and social reformers across the world.
https://x.com/Countercurrents/status/2118000114170282319?a=kGMkc7iVe6EljJPS52M&s=19
We know that one day we will die, but do we know our own death? This is the question that Bataille takes up in this piece. He goes about it through Hegel, or at least through Kojève’s interpretation of Hegel. In this reading, the awareness of death is part of what makes us human. We are no longer just animals that live off what is given to us. We labour and fight and transform our surroundings and gain consciousness of ourselves. Bataille gives a brilliant analogy. When a fly dies, there will still be flies. Next year’s flies will be much the same as last year’s. However, humans recognize themselves as individuals. We know that we are unique. That we will one day cease to be. This is what separates us from animals in this account. It’s almost disturbing that we gain consciousness of ourselves while knowing that one day we will die. Nonetheless, Bataille believes that knowing we will die is not the same as knowing death itself. “Death, in fact, reveals nothing.” If we were to know our own death, we would have to remain conscious at the very moment death destroys our consciousness. So how can we++
https://x.com/praxiss/status/2117725101122551975?a=4hfm7ipBg9wgkSC3sAk&s=19
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Collated by Tusar Nath Mohapatra